Kate Carr London, UK
“Probably the most significant field recordist of contemporary urban Britain…” - The
Quietus.
Kate Carr’s practice explores the textures and technologies of field recording using movement, objects and experimental recording techniques. She creates intimate, delicate and hybrid soundworlds which emphasise interactions and shared experiences within them.
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Everywhere at the end of time
by The Caretaker
supported by 12 fans who also own “I Ended Out Moving To Brixton”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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Touch: Isolation
by Various Artists
supported by 11 fans who also own “I Ended Out Moving To Brixton”
2020. 24bits @ 96kHz release
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Kaleidoscope
by Compilation of experimental music from Ukraine
supported by 11 fans who also own “I Ended Out Moving To Brixton”
Love the sounds, the music, the spirit of Ukrainians. Sending you all strength and love and we’re inspired by you, creatively and spiritually.
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LOADING//:fluids
by antxnio graz
These gracious, spellbinding pieces from composer and sound artist antxnio graz reflect on the ideas of rest and community care.
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“Subway” moves from soothing ambient music to sharp avant-garde and back again, capturing the spirit of the titular train.
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Assembled Parts
by Sullivan Johns
Striking experimental compositions that conjure both childhood joy and icy terror, every second of it riveting.
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Sheer Hellish Miasma
by Kevin Drumm
supported by 9 fans who also own “I Ended Out Moving To Brixton”
inferno is unquestionably the best, most uncompromising noise track ever imagined and brought to life
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