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Kate Carr London, UK
“Probably the most significant field recordist of contemporary urban Britain…” - The
Quietus.
Kate Carr’s practice explores the textures and technologies of field recording using movement, objects and experimental recording techniques. She creates intimate, delicate and hybrid soundworlds which emphasise interactions and shared experiences within them.
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Everywhere at the end of time
by The Caretaker
supported by 10 fans who also own “making do with a bicycle and a rubber band”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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Touch: Isolation
by Various Artists
supported by 9 fans who also own “making do with a bicycle and a rubber band”
2020. 24bits @ 96kHz release
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Background Music: Shard Of The Ancient
by Music For Sleep
supported by 9 fans who also own “making do with a bicycle and a rubber band”
This is a lovely piece of music to lose yourself in, or maybe to fall asleep to, as it caresses you with a gentle drone in its undulating waves of sound. Wave upon wave crashes upon you as you gently drift into a hinterland of consciousness, yet you do not care as the resonances are washing every thought away. Just jump into the waves, add some flanging, and its a brilliantly crafted ride.
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LOADING//:fluids
by antxnio graz
These gracious, spellbinding pieces from composer and sound artist antxnio graz reflect on the ideas of rest and community care.
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“Subway” moves from soothing ambient music to sharp avant-garde and back again, capturing the spirit of the titular train.
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Assembled Parts
by Sullivan Johns
Striking experimental compositions that conjure both childhood joy and icy terror, every second of it riveting.
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RADIANCE IX: FELDMAN
by Stephan Mathieu
supported by 9 fans who also own “making do with a bicycle and a rubber band”
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